On a related note, photographers who appreciate the finer qualities of a good bokeh – i.e. Meanwhile mage quality is superb and bokeh is, as mentioned, rather attractive. Sony 400mm F2.8 GM; Sony 600mm F4 GM; Sony 24mm F1.4 GM For shooting portraits, this is the ideal macro lens for your a7iii. Some of the Zeiss lenses are marketed under the Sony brand, others directly under the Zeiss brand. Top 7 Best Wide Angle Lenses for Sony a7III. After all, why go to all that trouble to produce stunning artistic images if they won’t stand up to closer inspection. Certainly those that are available for the a7III anyway. The wider the focal length, the more a lens will distort perspective; making objects close to the lens seem enormous, and those further away appear tiny. Autofocus is supremely fast and accurate, with eye-AF performing brilliantly. This can make choosing the right portrait lens for your particular style of shooting a bewildering task.Â. Sony E-Mount FE 24mm f/1.4 FM Full-Frame Wide-Angle Lens. You will always get excellent images with phenomenal color, mesmerizing contrast, and unbelievable sharpness across the entire frame. But they are only available in 72mm, are large and heavy, and expensive. Color rendition is also great, and flare is well controlled. At least relatively speaking; no Sony lens is ever what you could really call “cheap.”. The sharpness can hardly be described. Sony designs their lenses to work perfectly with their cameras, and there is no reason you need to seek a lens from a different company. Register To This Secret Photography Training (. Probably the best are the Raynox DCR-5320PRO, which comes as a 2 diopter 2 element lens, a 3 diopter 3 element lens, and can be stacked to give 5 diopters. The Sony FE 50mm f1.8 Lens is designed for photographers and videographers looking for a fast, full-frame prime. The only downside is that it doesn’t come weather sealed. If you like that look, it might just be for you. Save my name, email, and website in this browser for the next time I comment. The lens is lightweight and ideal for people who are hiking to get that perfect shot. If you continue to use this site we will assume that you are happy with it. Fear not, for in this guide we not only review some of the best portrait lenses compatible with the a7III currently on the market, but also arm you with the knowledge to choose for yourself which of these will be most appropriate for you and your photography. This particular macro lens, while excelling at exactly what it’s supposed to, is also a phenomenal portrait lens and one of the sharpest lenses in terms of clear detail that Sony has ever developed. Its lightweight body also helps with handling and aiming. However, this largely reflects the lens’s exceptionally sturdy build quality.Â. Superior image stabilization, leading close-up photography with a minimum 14.9” focusing distance, and instantaneous switching between automatic focus and manual focus – it does not get more professional than this. This lens is above the middle price point but slightly below the luxury price point. A longstanding favorite of Sony a7III portrait photographers, the Zeiss Batis 85mm f/1.8 offers excellent optics at an accessible mid-range price. Manual Focus Ring Needs Finer Adjustments, Ideal for Bird Watching & Nature Photography. One of the most useful features in my Sony A7RII is the ability to use focus peaking and manual focus assist. They are the best, though, so it's no surprise they are at the top of the list. Since there’s currently no native FE lens longer than the Sony FE 24-240mm F3.5-6.3 OSS, I’ve been getting lots of questions about what’s the best third-party 150-600mm super-telephoto zoom to adapt to E-mount for Sony a7RII.To answer that question, I headed to B&H Photo to put a trio of Canon EF-mount Super-zooms to the test: • Sigma 150-600mm f/5-6.3 DG OS HSM Sports Lens for … The 11-blade circular aperture offers stunning bokeh that shows why the G Master class is so great in the first place. Nonetheless this disappears entirely after stopping down even very slightly. Perhaps more interesting, though, is the fact that this is also a macro lens, meaning that it makes an excellent option for those who also like to shoot extreme close-ups. In any case, performance in this area already improves massively even at f/1.6. Although bokeh with the 85mm f/1.8 is perfectly fine, it doesn’t come close to the creamy quality of the Sigma Art 85mm, or even the Sony 85mm f/1.4 G-Master lens. Lensguide.io is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com. Your options for an F2.8 zoom range from affordable, but quality, third-party options like the Tamron 28-75mm F2.8, midrange zooms like Sigma's 24-70mm F2.8 Art, and pro lenses like the Sony … If you’re a heavy flash user and rely on them professionally to be built to last, and fire and recycle as quickly as possible, the Sony-branded flashes such as the powerful and reliable Sony HVLF60M are the best option. At times like this, many a photographer may find themselves regretting the decision to purchase a cheaper, slower lens. Fast maximum aperture isn’t just about avoiding camera shake in low light though. Additionally, we participate in other affiliate programs and sometimes get a commission through purchases made through our links. However, everything on today’s list is about the same price, and they are all extremely versatile. Having a quality macro lens around is always beneficial to a photographer. Smooth and artifact-free, out of focus areas are beautifully rendered without “onion rings,” and display little in the way of “cat’s eyes.”Â. Pixel-peepers who want to be able to examine every facial pore at max-res might want to look elsewhere. While this lens is a few years old, it has not lost any of its power. Basically, you get more features than the average lens. The lens is also quite big and heavy (although nowhere near the extremes of Sigma’s 85mm offering below). Portrait photographers usually fall into one of two main categories (although some of course straddle both). Our webinars are always filled to the last seat. Overall though, if you’re the kind of portrait photographer who is more interested in capturing a fantastic likeness of your subject than in producing the most optically perfect image possible, the Sony FE 85mm f/1.8 does a great job at an attractive price. Photo by: 'Albert Dros'. This means that with portraiture you can often get away with a marginally greater degree of softness in your images. Of course, in theory at least, the bokeh-potential of a 100mm f/2.8 is perhaps no greater than with a fast 85mm lens; the relatively slow aperture cancelling out the advantage provided by the longer focal length. And inevitably this moment occurs right when the quality of light reaches its most flattering for the subject. Image sharpness is excellent, even when used wide open; and there’s almost no distortion, and only minimal vignetting. The contrast is stunning, the resolution is fantastic and always maintained to the very edges of every image at any aperture, and the color reproduction is fully natural. Meanwhile manual focus operation provides smooth and responsive action.Â. Caleb Pike of DSLR Video Shooter covers a few third-party batteries designed to work with the A7III, helping you determine which battery you should invest in. Optimal image stabilization performs very well, too, and autofocus is fairly fast and silent. First on the list is a top-tier G Master lens. In a hurry? Having said this, there are a couple of reasons why lens sharpness isn’t something you should worry about too much when choosing a portrait lens for the Sony a7III. However, while sharpness and contrast are very impressive when the 85mm’s diaphragm is shut down just a stop or two, wide open at f/1.4 rendering is a tad soft. Sigma 50mm f/1.4 DG HSM Art The Sigma Art 50mm f/1.4 is a third party lens that gives the excellent Sony Planar 50mm a real run for its money – but at a considerably lower price point. The f/1.4 G Master comes featured with an advanced optical design, using two extreme aspherical elements and three extra-low dispersion glass elements. The difference a quality lens will make in your photography is undeniable. We don’t want to sell lenses we want to give you a good basis for an educated buying decision. A wide lens lets you get a strong foreground because of the extreme perspective. To make your experience with this camera even better, you should definitely think about upgrading your camera with the best lens for Sony a7iii. And while you can definitely use third-party lenses with the a7iii, it is generally recommended to stick with a native piece of equipment. Â. For those who shoot their portraits in a faster-paced and more candid style, though, precise autofocus can make the difference between “nailing it” and a harddrive full of missed opportunities. With a focal length of 90mm, Sony’s FE f/2.8 is marginally longer than the classic 85mm portrait lens – although in practice this will make little real difference to your portraits. If you’re the kind of photographer who slowly sets up a shot, waits for the perfect light, gets the model to pose exactly as you want, counts down from three, and only then fires off a single frame before moving on the next setup, fast and accurate autofocus is unlikely to be high on the top of your list of portrait lens criteria. It produces amazing images, it has an impressive full-frame BSI image sensor, and it is basically perfect down to the most minuscule operational detail. Instead, a short telephoto (say one that’s between 80 and 120mm) will create a much more flattering perspective. If you can live with the weight and the bulk, however, the Sigma Art is undoubtedly one of the most impressive portrait lenses you can use on a Sony a7III, offering both fantastic image quality and outstanding usability.Â. Some of the most beautiful light for portraiture is to be found either very early or very late in the day, when the sun’s rays are at their weakest. But what they all have in common is the ability to enhance your performance. Most lenses for the Sony Alpha 7 series are produced by Sony itself, as well as by Zeiss. And if you’re the kind of photographer who enjoys shooting slightly wider, “environmental,” portraits, then the Sonnar T* is likely going to be somewhere near the top of that list. Join today and get instant access! 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